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Walter Wanger (July 11, 1894 – November 18, 1968) was an American film producer active in filmmaking from the 1910s to the turbulent production of ''Cleopatra'' in 1963. Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. Wanger was strongly influenced by European films, and made many productions geared towards international markets. His career began at Paramount Pictures in the 1920s and led him to work at virtually every major studio as either a contract producer or an independent. Wanger served as president of the Academy of Motion Picture Arts and Sciences from 1939 to October 1941 and from December 1941 to 1945. == Early life== Wanger was born Walter Feuchtwanger in San Francisco, and pronounced "Wanger" to rhyme with "danger". He was the son of Stella (Stettheimer) and Sigmund Feuchtwanger, who were from German Jewish families that had emigrated to the United States in the nineteenth century.〔http://digicoll.library.wisc.edu/cgi/f/findaid/findaid-idx?c=wiarchives;view=reslist;subview=standard;didno=uw-whs-us0136an;focusrgn=bioghist;cc=wiarchives;byte=313596550〕 Wanger was from a non-observant Jewish family, and in later life attended Episcopalian services with his wife. In order to assimilate into American society, his mother altered the family name simply to Wanger in 1908.〔Bernstein 2000, p. 6.〕 The Wangers were well-connected and upper middle class, something which later differentiated Wanger from the other Jewish film moguls who came from more ordinary backgrounds. Wanger attended Dartmouth College in New Hampshire, where he developed an interest in Amateur theatre. After leaving Dartmouth, Wanger became a professional theatrical producer in New York City where he worked with figures such as the influential British manager Harley Granville-Barker and the Russian actress Alla Nazimova.〔Bernstein 2000, pp. 23–30.〕 Following the American entry into World War I in 1917, Wanger served with the United States Army in Italy initially in the Signal Corps where he worked as a pilot on reconnaissance missions,〔Bernstein 2000, p. 31.〕 and later in propaganda operations directed at the Italian public. It was during this period that Wanger first came into contact with filmmaking. In April 1918 Wanger was transferred to the Committee on Public Information, and joined an effort to combat anti-war or pro-German sentiment in Allied Italy. This was partly accomplished through a series of short propaganda films screened in Italian cinemas promoting democracy and Allied war aims.〔Bernstein 2000, pp. 31–35.〕 Wanger was very impressed with the potential of film to shape people's minds towards achieving a better-educated and more peaceful world. After the Allied victory, Wanger returned to the United States in 1919 and was discharged from the army. Wanger married silent film actress Justine Johnstone in 1919. He initially returned to theatre production, before a chance meeting with Jesse Lasky drew him into the world of commercial filmmaking.〔Bernstein 2000, pp. 35–41.〕 Lasky was impressed with Wanger's ideas and his experiences in the theatre, and hired him to head a New York office vetting and acquiring books and plays for use as film stories for Famous Players-Lasky (later to become Paramount), which was then the largest film production company in the world.〔Bernstein 2000, pp. 41–43.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Walter Wanger」の詳細全文を読む スポンサード リンク
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